09.09. - 04.12.2021
Thursday 09 September 2021, 6 – 9 pm
Erik Andersen, Inna Artemova, Birte Bosse, Jérôme Chazeix, Sandra Hauser, Gregor Hildebrandt,
Bethan Hughes, Yukiko Jungesblut, Zinu Kim, Jeremy Knowles, Kodac Ko, Jay Lee, Jeewi Lee,
Yiannis Pappas, Fabian Reetz, Thomas Rentmeister, Elinor Sahm, Laura Schawelka,
Merani Schilcher, Lorina Speder, David Szauder, William Winter, Hana Yoo
Anna Ratcliffe, Peter Ungeheuer
REAL, SYMBOLIC, IMAGINARY
Due to the increasing spread of COVID-19 REAL, SYMBOLIC, IMAGINARY postponed to a later date. We will continue to update the information on this website as well as through our social media channels.
Ka Hee JEONG
‘I began with the Imaginary, I then had to chew on the story of the Symbolic ... and I finished by putting out for you this famous Real’ – Jacques Lacan
The title of this project Real, Symbolic, Imaginary, is inspired by Jacques Lacan’s three psychoanalytic orders. These fundamental dimensions need to be discussed not only in the aspects of psychical processes but also in understanding the real-life of North Koreans.
While South Korea is understood in various perspectives with its active interaction around the world, North Korea is often seen unilaterally and passively through mass communications or clips from foreign visitors. There have been several recent exhibitions abroad on North Korea, in Gwangju and at the Busan Biennial. Artworks from North Korea were presented, and some were even by a North Korea defectors. Most of the time, North Korea’s political issues, ideology and armaments are what catch the eye of the outer worlds. However, the general populations’ lives, their dreams, families, love, and friendships, are barely known. The DISKURS Berlin project aims to turn away from what is known, reported and sensationalized and turns instead toward the people, the mundane and the daily lives of North Koreans.
Hence, political ideology will be excluded from the project. The invited artists from South Korea and Berlin will explore materials from North Korea collected on a research trip by Jung Me Chai, they include linguistic books, modern comics, medical books, movies and television series. The artists will use these source materials and their artistic practice to present the audience with original artworks that actively interprets the daily lives of North Koreans, escaping from current perceptions of the country. Moreover, they will enter into a critical examination of these concepts and open up a dialogue that moves beyond monolithic narratives.
Last year Berlin celebrated 30 years since the fall of the Berlin Wall. Through its history, Berlin is now seen as a symbol of freedom and liberal expression.
Real, Symbolic, Imaginary expects the positive synergy between the exhibition and the symbolic place Berlin.
The project Real, Symbolic, Imaginary attempts to transport an emancipatory alternative into the public consciousness in this critical era. It will be a platform where two worlds of North and South Korea meet and understand each other for the better.
Jung Me Chai