Exhibition-Relay 2020

#Solidarity #FightBack #SunGoesUp

11 Shows, 16 Artists, 2 Guest Curators

curated by Jung Me Chai

 

DISKURS Berlin presents Exhibition-Relay: #Solidarity #FightBack #SunGoesUp every two weeks from July-December 2020, there is a new exhibition in the space as the baton gets passed. Sixteen artists and two guest curators create eleven shows specifically designed to be viewed through the windows of DISKURS Berlin as our doors remain closed. This fast-paced exhibition program aims to support the artists, curators, and creative individuals to fight back against the COVID-19 crisis.

 

 

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Bethan Hughes & Laura Schawelka

   TAPPING  DRESSING 

12.11. - 25.11. 

 

 

Curated by Anna Ratcliffe

 

Exhibition-Relay #Solidarity #FightBack #SunGoesUp /  Nr. 10

 

 

 

Laura Schawelka

Untitled (Retti 2020 black and white), 2020

PVC, 300 x 254 cm

 

Laura Schawelka

Untitled (Red Shoe), 2018

Archival inkjet print, 70 x 100 cm

 

Untitled (Vessels), 2019

PVC, metal,183 x 396 cm

 

Laura Schawelka

Chain, 2020

Vinyl cut, Dimensions variable

 

Bethan Hughes

All the iron rules into rubber bands, 2020

Custom steel stand, stainless steel hardware, latex, valves, polish, dimensions variable

 

Bethan Hughes

A fluid defence II, 2020

Machine learning animation, 6 min., looped

 

©Courtesy of  Bethan Hughes & Laura Schawelka  & Diskurs Berlin

 

 

 

TAPPING  DRESSING 

To tap on the dressed window that we look through, to ogle at the plush contents, being converted from passer-by to consumer. We tap, we tap harder, until the window breaks, tap until the devil’s milk is drawn, we extract, we industrialize, we devour, we cover it up, we window dress, we dress it up, we engulf, we consume, we leave.

 

No artificially produced rubber convincingly mimics the natural properties of its natural counterpart, hence it is still primarily ‘tapped’ from Hevea Brasiliensis or para rubber tree plantations. The latex rubber from these trees flows through and connects vast and violent histories of colonialism, extractivism, and labour exploitation. However, there are an estimated 20,000 species of plants that also produce latex, 20,000 alternatives.

 

Bethan Hughes’ ongoing project, Hevea, investigates the qualities, production and usage of natural latex rubber. The investigation into this substance speaks to the current moment, one in which transparent screens, face shields and latex gloves encapsulate the body, protecting it from the outside world and other bodies. In this way, humanity mimics the function of latex production in plants - understood as a biological defense mechanism. 

 

Architects are now building ‘Instagram’ moments into their buildings, as photo opportunities have become a commodity in their own right. But this is not a new phenomenon, as architects have been building with the camera in mind since the invention of photography.

 

Laura Schawelka examines this relationship between architecture and image-making, concentrating on retail interiors and exteriors. Here she presents a black and white image of Hans Hollein’s 1966 designed Retti candle shop in Vienna with its slick design created solely out of aluminium. Schawelka thinks about the presentation of goods and their architectural staging that seduces the passer-by into consumers.

 

The shop front is presented in a dressed window of DISKURS, playing with the idea that ‘window dressing’ glosses over the psychological manipulation in the consumer experience.

 

Anna Ratcliffe

 

 

 

 

 

Bethan Hughes (b. 1989, Wigan, UK) is an artist and researcher. She is currently based between Berlin and Braunschweig where she is taking part in the BS Projects Fellowship program. In her work, 3D modeling and animation are translated into various modes of installation, print, soft sculpture and audiovisual installation as a way of exploring the political, social and cultural implications of screen-based representation. She is particularly interested in how biological and bodily matter - that which is sensual, unruly and decaying - is transformed through digitization.

 

Laura Schawelka (b.1988, Munich, Germany) works with photography, sculpture and video to examine the visual representation of objects and the seductive power of photographs. Schawelka studied at the Städelschule, Frankfurt until 2013 and completed her Master of Fine Arts at the California Institute of the Arts in Valencia near Los Angeles in 2015. In her latest works, developed during her two-month residency at the MuseumsQuartier Wien in 2020, the artist focuses on Vienna’s retail architecture and its relation to photography.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Exhibition-Relay 2020

#Solidarity #FightBack #SunGoesUp

11 Shows,  16 Artists,  2 Guest Curators

Curator: Jung Me Chai

Assistant Curator: Anna Ratcliffe

 

 

 

1.

09.07. - 22.07. ARGUMENT - Birte Bosse & Thomas Rentmeister

settled by Peter Ungeheuer

 

2.

23.07. - 05.08. BASEL 2020 - Lorina Speder

 

3.

06.08. - 19.08. INVISIBLE BOUNDARY - Zinu Kim

 

4.

20.08. - 02.09. DRUMROLL PLEASE… - William Winter

 

5.

03.09. - 16.09. EVERYTHING DIVIDES - Red People: Nikoleta Markovic, Andrej Mircev, Eunseo Yi

 

6.

17.09. - 29.09.  ZWISCHENBERICHT -  Yukiko Jungesblut 

 

7.

30.09. - 14.10. DONNERSTAGS ORCHIDEEN WÄSSERN - Gregor Hildebrandt 

 

8.

15.10. - 28.10. WAITINGROOM - Jeewi Lee & Jay Lee

 

9.

29.10. - 11.11. HYSTERIC C - Hana Yoo

 

10.

12.11. - 25.11. TAPPING, DRESSINGBethan Hughes & Laura Schawelka

curated by Anna Ratcliffe

 

11.

27.11. - 10. 12. LOVEANTIC - Jérôme Chazeix

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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